Portrait
of the Artist:
Lawrence Alexander "Peter" Harrison
1902
Giovanni
Boldini (1845 -1931) Italian-French portrait painter
Property
from the Collection
of an American Ambassador, Washington, D.C.
Oil on
canvas
126.1
by 101cm. (49 5/8 by 39 3/4
in.)
signed
and dated Boldini/1902
(lower left)
jpg: Sothebys
Lawrence Alexander
"Peter" Harrison
(1866-1937) was an English portrait artist and landscape painter, as
well
as a collector of contemporary art. In 1890 he married Alma Strettell
(a
friend and subject of John Singer Sargent). He was a member of the
"Chelsea
set" and joined the New
English Art Club in 1904. He rarely exhibited his work -- just a
few
times with the NEAC. He was friends with Henry
Tonks, and Philip
Wilson Steer.
From: Sothebys
Boldini's depiction
of Lawrence Alexander
"Peter" Harrison is among the most distinguished and sophisticated of
Boldini's
male portraits. Boldini may have first met Peter Harrison through
American
artist John Singer Sargent, with whom Boldini was friends and
whose portrait Boldini painted in
Giovanni Boldini
John Singer Sargent
1889
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1889
[thumbnail]. Peter and his
brother
Leonard Frederic "Ginx'' Harrison, nephews of Robert Harrison of
Wargrave,
Berkshire, were Sargent's close friends and traveling companions. They
accompanied Sargent on his travels to Switzerland and Italy, where
Sargent
featured them in a series of dazzling watercolor studies, including
Group
with Parasols [thumbnail], as well as Siesta [thumbnail], both in
private
collections. . . .
Unlike Boldini's
official portrait
of Peter Harrison, Sargent offers a private glimpse of friendship and
casualness
in Peter Harrison Asleep, which serves as a striking contrast to
Boldini's
public portrait. Peter Harrison is shown dozing unaware, his left hand
hanging over the side of the bed, his right still propping up a book.
Sargent
captures the outline of Harrison's towering form, also elegantly
conveyed
as a salient feature in Boldini's sinuous rendition. In Boldini's
portrait
of "Peter'' Harrison, the use of space is unconventional yet brilliant,
as Boldini creates the illusion that Harrison's imposing figure cannot
be contained by the mere boundaries of canvas. The sitter sits
diagonally
on the chair, affording Boldini the opportunity to show-off his skill
at
conveying a sense of motion in the subtle but sensual curve of his
body.
The depiction of Harrison's left hand alone is a tour de force; its
assured
and forceful character bespeaks the nature of the sitter. The British
Harrison,
painted in varying gradations of grey, appears royal in stature, as
Boldini
depicts him in keeping with the great portrait traditions of
Gainsborough
and Reynolds. This portrait purports a subtle elegance and grace,
eschewing
the pitfalls of caricature and exaggeration.
As the great
American writer and
doyenne of Parisian artistic and literary circles Gertrude Stein
presciently
noted, "when times have established values at their correct places,
Boldini
will be recognized as the greatest painter of the last century. All the
new school was born of him, since he first, simplified the line and the
planes.''
Boldini's Portrait
of Lawrence Alexander
"Peter" Harrison is one of his last paintings of an artist remaining in
private hands. His portraits of Whistler, Degas, Helleu and Menzel have
already entered museum collections in America and Europe.
(Sothebys)
From: Peter
Harrison
peter har ris
on@comcast.net
Date: Wed, 26 Feb
2003
I stumbled across
your website by
accident and was delighted to find a portrait of my grandfather
Lawrence
Alexander "Peter" Harrison by Boldini.
I knew this picture
existed because
my Father had mentioned it and I knew it was in the possession of his
sister,
my aunt Sylvia Harrison after my grandfather died. But I had never seen
it, so it was a great pleasure to finally get a viewing.
I think your
Sargent website remarkable,
to say the least. It really shows how incredibly prolific he was ... he
never stopped working. While his friends snoozed under umbrellas he was
not snoozing but making pictures of them.
My family owned
quite a few Sargents.
Some of these have gone but the family still owns the portrait of my
grandmother
Alma Strettel (numbered 895 on your list). Also one of the
watercolors
of Harrisons in a field under umbrellas. Sargent and his friendship
with
the Harrison family was often discussed.
John Singer Sargent
Prophets Micah, Haggai, Malacchi, Zechariah
Boston
Public Library Murals
(Peter
Harrison modeled for Malacchi --third from the left)
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When I last visited
the Boston
Public library there was the Sargent mural and there was my grandfather
depicted as one of the prophets.
When my grandfather
died during WW2
my father inherited a full length portrait of my aunt sylvia. It was
very
big and we lived in a small
house in London with no place to hang it so
my father unwisely decided to sell it. It went at auction for 35 pounds
to a buyer in Manchester! At that time Sargent
paintings
had a very low value and he was considered too slick and old-fashioned
in his style [1].
Warren Adelson recently gave me an 8x10 transparency of this picture
which
has ended up in the hands of somebody in New York I believe. I
understand
they paid more than 35 pounds for it!
Sylvia
Harrison
1913
(daughter to Peter Harrison)
Mon, 25 Apr 2005
I thought
you might be interested in the attached pictures both of which I found
recently at the Colorado Springs Pioneer Museum. The connection
to this museum was due to an e-mail I wrote to you about my
grandfather Lawrence (Peter) Harrison and which you published on
your Sargent website. I was contacted by Leah Davis Witherow [with the
Colorado Springs Museum].
She told me that they had a lot of photo album scrapbooks and some
paintings by Peter Harrison. On a drive across country I visited Leah
at the museum and she showed me what they have there. I took a couple
of photos (see below) but did not have much time to go through the
collection. The attached drawing of my grandfather by Sargent was
found amongst the scrapbook material which belonged to Dorothy
Palmer and which the museum had recently acquired from the Palmer
family descendants in England.
John
Singer Sargent
Peter Harrison Mug
Undated
Peter
Harrison
General Palmer's house in the Garden of
the Gods
1906
The
painting is by Peter Harrison and is of General Palmers house in
the Garden of the Gods in Colorado Springs. It was painted in
1906 when Harrison visited the Palmers. There is another landscape by
him in the museum which I was unable to photograph.
The photo albums are fascinating and are full of pictures of the
Harrison family (including my father at about nine years old) and
many including Sargent on various holidays around Europe and
Colorado.
You might also be interested to know that I have had a couple of other
enquiries about
Alma (Strettel) Harrison and her association with the art world of
London at the turn of
the last century. Aslo because of your connection.
with best wishes...Peter Harrison
Note:
Sold at Sotheby's;
Sale N07782; Session
1; 24 Apr 2002; lot 109; $1,439,500
1)
For more on how
Sargent's Art fell
from popularity see The
fall and rise of Sargent
Provenance:
Miss Sylvia Harrison,
Portofino,
Italy (the sitter's daughter)
Collection of Sir
Valentine Abdy,
Bt.
Sale, New York,
Sotheby's, February
28, 1990, lot 95, illustrated
Acquired by the
present owner from
the above sale
Literature:
Jean Feray, "Beaucoup
de Boldini,"
Connaissance des Arts, No. 431, January 1988, p. 87, illustrated
Tiziano Panconi,
Giovanni Boldini:
L'uomo et la Pittura, Pisa: Pcini Editore, 1998, pp. 90-91, illustrated
p. 91
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