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(29-Oct-1997) . . .He made rough notes on the spot in sketchbooks, and in the studio made designs for a series of paintings. These were most original in their dislocation of the figures, and their shorthand sketchy outlines. The colours have a brilliance that went beyond the Impressionist paintings of Monet that Steer had seen in London. Although they look spontaneous, most of them took several years to complete Note:
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