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Title
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Angela
Mackail
(at the time of
the
drawing she was
Mrs. James Campbell-McInnes,
later Mrs. George Lancelot Thirkell) 1915
Simon
MacInnes
Charcoal on paper "Mug"
Size? |
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Portrait de Rodin
1915
Paris, Musée Rodin
Oil on canvas
46 x 36 cm
Signed lower right: Sargent
Donated to the Musée Rodin by M. Cassel in 1933. Acquisition and
Gifts n° 156)
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Francis J. H. Jenkinson
1915
Cambridge University, Library, Cambridge, England
Oil on canvas
90.2 x 69.9 cm (35 1/2 x 27 1/2 in.)
Inscribed: (Upper left:) John S. Sargent (Upper
right:) 1915
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Portrait
of Geoffrey Murray-Smith
1915
Private
collection
Charcoal
22 x 13
in.
Signed and
dated |
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Viscount
Althorp
1915
Private
collection
Charcoal
Size? |
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Edward
Wyndham Tennant
1915
Private
collection
Charcoal
Size? |
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Sixth
Earl Spencer
1916
Private
collection
Charcoal
Size? |
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Edith,
seventh Marchioness of Londonderry (?)
1916?
Private
Charcoal
23.88 x
18.88 in. |
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Hugo
Charteris & Violet Manners Charteris
1916?
Private
collection?
Charcoal
Size? |
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General
view of South End, Sargent Hall, Boston Public Library
Boston Public Library
Mural |
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1 |
Mysteries
of the Rosary
(South End: Vaulting
Detail of the Sorrowful
Mysteries and
partial Glorious Mysteries)
1916
Boston Public
Library
Mural |
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1 |
Handmaid
of the Lord
(South End: East Wall)
1916
Boston Public
Library
Mural |
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1 |
Madonna
of Sorrows
(South End: West Wall)
1916
Boston Public
Library
Mural |
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2 |
Heaven
(West Wall, lunette)
1916
Boston Public
Library
Oil on canvas with
Lincrusta-Walton
reliefs
254.3 x 506.7 cm
Mural |
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2 |
Detail
of Heaven lunette showing applied Lincrusta-Walton hair and border
1916
Sargent at
Harvard
Boston Public
Library
Mural |
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3 |
The
Judgment
(West Wall, lunette)
1916
Boston Public
Library
Mural
Oil on canvas with
Lincrusta-Walton
and
papier-mâché
reliefs
254.6 x 507.7 cm |
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4 |
Hell
(West Wall, north lunette)
1916
Boston Public
Library
Mural
1916
Boston Public
Library Murals
Oil on canvas with
Lincrusta-Walton
reliefs
254.6 x 507.4 cm
(1999 photo) |
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5 |
Gog
and Magog
(East Wall, lunette)
1916
Boston Public
Library
Mural
Oil on canvas with
Lincrusta-Walton
reliefs
254.3 x 505.8 cm |
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6 |
Israel
Under the Law
(East Wall, lunette)
1916
Boston Public
Library
Mural |
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7 |
Messianic
Era
(East Wall, lunette)
1916
Boston Public
Library
Mural |
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7 |
Detail
of Messianic Era lunette, showing cleaning test
1916
Sargent at
Harvard
Boston Public
Library
Mural |
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The
Rt. Reverend William Lawrence
1916
National
Gallery of Art, Washington, D.C.
Same
Charcoal on
laid paper
63.8 x 48.2 cm
(25 1/8 x
18 15/16 in.)
Gift of Rt.
Rev. Frederic
C. Lawrence |
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Cyrus
E. Dallin home portico
1916
Natasha
Cyrus
E. Dallin Art Museum, Arlington, Massachusetts
Sketch
Size?
(Cyrus
Edwin Dallin 1861-1944
American sculptor)
("Appeal
to the Great Spirit")
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Mrs.
Richard D. Sears
1916
Private
collection
Charcoal on
paper
24 1/2
x 18 1/2 In. |
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A
Tent in the Rockies
1916
Isabella
Stewart Gardner
Museum, Boston, MA
Watercolor on
paper
39.2 x 53.2 cm
Purchased in 1916 from Sargent’s Boston exhibition
of Rocky Mountain landscapes. |
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Camping
at
Lake O'Hara
1916
The Newark
Museum, New Jersey
Watercolor on
paper
40 x 53 cm (15
3/4
x 20 7/8 in.) |
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Inside
a Tent in the Canadian
1916
Private
collection
Oil
56.52 x 71.75
cm (22.25
x 28.25 in.) |
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Camp
and Waterfall
1916
Metropolitan
Museum of Art,
New York
Watercolor and
graphite
on white wove paper
50.5 x 35.6 cm
(19 7/8 x
14 in.)
Gift of Mrs.
Francis Ormond,
1950 (50.130.80l) |
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Camp
at Lake O'Hara
1916
Metropolitan
Museum of Art,
New York
Watercolor and
graphite
on white wove paper
340 x 53.3 cm
(15 3/4
x 21 in.) |
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Lake
O'Hara (watercolor)
1916
Fogg Art
Museum, Cambridge,
Massachusetts
Watercolor
over graphite
on off-white wove paper
40 x 53 cm
(actual)
Gift of Edward
W. Forbes
Inscription:
lower left,
black ink: To Edward W. Forbes / John S. Sargent |
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Lake
O'Hara
1916
Fogg Art
Museum, Cambridge,
Massachusetts
Oil on canvas
97.5 cm x
116.2 cm, actual
Louise E.
Bettens Fund
Signature:
l.l.: John S.
Sargent 1916 |
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Yoho
Falls
1916
Isabella
Stewart Gardner
Museum, Boston
Oil on
canvas
94 x 113 cm (37 x 44.5
in) |
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Lake
Louise Canadian Rockies
1916
Private
collection
Watercolor
15 x 20.5
in. |
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1915
(59 years old)
Year
In Context
He exhibits
thirteen paintings, including Madame
X (1884), at the Panama-Pacific International Exposition, San
Francisco.
May 7, the British
ship liner, Lusitania
is torpedoed off the Irish coast by a German submarine. Of the
1,195
lives lost, 128 were U.S. citizens. Even though the Germans had
warned
Americans not to take passage on British ships, the incident would
contribute
to America entering the war two years later.
John designs
stationery for the Red
Cross and sells works from his studio for charity.
July: Henry James
becomes a British
subject -- partly out of disgust over the United States not entering
the
war, partly out of convenience, since all aliens in Britain must
register
and report regularly, and partly out of love for his adopted home.
Sargent doesn't.
He exhibits at the
inaugural exhibition
of the Minneapolis Institute of Arts.
The Metropolitan
Museum of Art, New
York, buys ten of Sargent's watercolors.
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1916
(60 years old)
Year
In Context
He offers and The
Metropolitan Museum
of Art, NY accepts a purchases price of one thousand pounds for Madame
X (1884). Although there is some concerns of its safety in
recrossing
the Atlantic, John's clear intentions are that he wants his
painting
in America at a major public gallery and offers it to the Met in a letter
to Edward Robinson at a price clearly under its market value.
February 28th, his
friend Henry
James Dies at the age of 72.
In May he visits
United Sates for
the instillation of more Boston
Public Library murals. The complications of the instillation and
the
war would keep him there for twenty-six months.
Ceiling and right
and left of south
lunette
1) The Doctrine of
Incarnation --
god coming down as man. Madonna and Handmaid of the Lord
West Wall
East Wall
5) Downfall of
paganism, preached
by Hebrew prophets
6) Hebrew ideal
-- the chosen people
protected by Jehovah, through its observance of the Law.
7) The Messianic
era, foretold by
Hebrew prophets
So impressed by what's
going on
at the Boston Public Library, trustees of the Museum of Fine Arts,
Boston
(MFA) invites him to decorate the rotunda of their new
building on Huntington Ave.
He agrees and sets
up a studio at
22 Columbus Avenue, Boston.
In June he visits
the sculptor Cyrus
E. Dallin in Arlington Mass. who had also done work for the MFA.
In London, without
him, an exhibition
of 46 of his "mugs" are put on with the Royal
Society of Portrait Painters, hosted at the Grafton Galleries.
In the summer he
travels to the
Rocky Mountains of Montana and British Columbia.
On August 20, 1916,
Sargent writes
to Isabella Stewart Gardner from the Canadian Rockies --
"I am camping under
the waterfall
. . . . It is magnificent when the sun shines which it did the first
two
days. I began a picture–that is ten days ago–and since then it has been
raining and snowing steadily– provisions and temper getting low–but I
shall
stick it out 'til the sun reappears . . . . Your handkerchiefs are in
constant
use and still hold out in spite of a dripping nose and cold feet."
And on August 31st,
"I have done
a picture of a fantastic waterfall (YoYo Falls) . . . and I am off
camping
to another place near here where I expect to find other awful sights. .
. ."
One of those sights
was Lake O'Hara.
See
footnote 2
He is awarded the
L.L.D. by Yale
University and a Doctor of Arts by Harvard University.
In November he
returns to London.
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