John Singer Sargent (Seattle 2001), An Exhibition (Frontpage)  (more on Exhibitions)  (Thumbnail Index)  (What's New)
 
 
 
John Singer Sargent
(Seattle 2001)

 


Schedule 
 

    Seattle Art Museum
    December 14, 2000 – March 18, 2001
     

    The show is nicely documented on the net at the Seattle Art Museum

       
 

Overview  
 
 
Featuring more than 130 paintings, watercolors, and drawings, this is the West Coast's first comprehensive exhibition devoted to John Singer Sargent (1856–1925). The eldest son of a Philadelphia couple who had decided to live abroad, Sargent was born in Italy, studied painting in Paris, and spent the greater part of his professional career in London. There, in the 1890s, he became world famous as a portraitist of aristocrats, business tycoons, and fashionable beauties, and began to prepare a series of mural decorations for civic institutions in Boston, Massachusetts. 

The works on view have been borrowed from eighteen museums and thirteen private collections in the United States and England. They include: a dozen portraits of his most enthusiastic London patrons, the family of Asher Wertheimer; more than thirty exuberant Impressionist-inspired watercolors made during vacation trips to Italy, Spain, Greece, and British Columbia; a stunning unfinished replica of Sargent's most notorious picture, Madame X; and numerous informal works, including a set of large charcoal figure studies exhibited together for the first time. Together, these works offer an exciting opportunity to experience Sargent's self-assured draftsmanship, dazzling painterly technique, and keenly original observations of his world.
 
 
 
 

Exhibition Catalouge   
 

"John Singer Sargent : The Sensualist"		 A fully illustrated book titled John Singer Sargent: The Sensualist. 

In this landmark publication, Curator Trevor Fairbrother examines the relationships between the artist’s broadly brushed technique and his personal sensibility. The book surveys Sargent’s entire output and makes the argument that his painterly style expressed the voluptuous side of a man whose public demeanor was often awkward and reserved 
     

Curators 

Warren Adelson, president of Adelson Galleries with assitance from Elizabeth Oustinoff, director.

 
Catalogue Index 

This checklist is arranged chronologically. 

In the exhibition, the portraits of the Wertheimer family are hung together. The other works are intermixed. Many of the drawings are grouped early in the installation. Most of the watercolors and non-portrait oils are hung in the last section of the exhibition. 

  1. Forearm and Hand Holding a Book (after Andrea del Sarto), ca. 1872–74 

    2. Black chalk on paper 
    10 2/5 x 13 1/2 in. 
    Fogg Art Museum, Harvard University Art Museums, Gift of Miss Emily Sargent and Mrs. Francis Ormond in memory of their brother, John Singer Sargent 
     
  2. Glacier on the Ortler, 1873 

    3. Pencil on paper 
    10 1/2 x 14 1/2 in. 
    The Metropolitan Museum of Art, Gift of Mrs. Francis Ormond, 1950 
     
  3. Angel with Sundial, Chartres, ca. 1874 

    4. Pencil on paper 
    13 3/4 x 10 3/16 in. 
    The Metropolitan Museum of Art, Gift of Mrs. Francis Ormond, 1950 
     
  4. Among the Olive Trees, Capri (Dans les Oliviers á Capri), 1878 

    5. Oil on canvas 
    Approx. 30 x 25 in. 
    Private collection, Seattle, Washington 
     
  5. A Capriote, 1878 

    6. Oil on canvas 
    30 1/4 x 24 7/8 in. 
    Museum of Fine Arts, Boston, Bequest of Helen Swift Neilson, 1946 
     
  6. Head of Ana—Capri Girl, 1878 

    7. Oil on canvas 
    9 x 10 in. 
    Private collection 
     
  7. Two Half-Length Sketches of a Youth, ca. 1878 

    8. Pencil on paper 
    7 1/16 x 10 5/8 in. 
    Museum of Art, Rhode Island School of Design, Providence, Gift of Emily Sargent and Mrs. Francis Ormond 
     
  8. Carmela Bertagna, ca. 1880 

    9. Oil on canvas 
    23 1/2 x 19 1/2 in. 
    Columbus Museum of Art, Ohio, Bequest of Frederick W. Schumacher 
     
  9. Head of Aesop after Velázquez, 1879 

    10. Oil on canvas 
    18 1/4 x 14 5/8 in. 
    Ackland Art Museum, University of North Carolina at Chapel Hill, Ackland Fund 
     
  10. Cafe Scene in Seville, 1879 

    11. Pencil on paper 
    9 3/8 x 13 in. 
    Isabella Stewart Gardner Museum, Boston 
     
  11. Two Images of a Dancer, ca. 1879–1903 

    12. Pencil on paper 
    22 3/4 x 9 in. 
    Isabella Stewart Gardner Museum, Boston 
     
  12. Spanish Dancer, ca. 1879–1903 

    13. Pencil on paper 
    14 1/2 x 10 in. 
    Fogg Art Museum, Harvard University Art Museums, Gift of Mrs. Francis Ormond 
     
  13. Spanish Dancer, ca. 1879–1903 

    14. Pencil on paper 
    14 3/10 x 10 in. 
    Fogg Art Museum, Harvard University Art Museums, Gift of Mrs. Francis Ormond 
     
  14. Sketch of a Building with Entrance of Three Ogival Arches, Tangier, 1879–80 

    15. Pencil on paper 
    9 4/5 x 13 1/2 in. 
    Fogg Art Museum, Harvard University Art Museums, Gift of Mrs. Francis Ormond 
     
  15. Hand Studies for “Fumée d’Ambre Gris,” 1879–80 

    16. Pencil on paper 
    9 13/16 x 13 3/8 in. 
    Corcoran Gallery of Art, Gift of Miss Emily Sargent and Mrs. Violet Sargent Ormond 
     
  16. Rehearsal of the Pasdeloup Orchestra at the Cirque d'Hiver, ca. 1879–80 

    17. Oil on canvas 
    22 1/2 x 18 1/8 in. 
    Museum of Fine Arts, Boston, The Hayden Collection, 1922 
     
  17. Three Sketches of a Dog, early 1880s 

    18. Brown ink on paper 
    9 x 11 3/5 in. 
    Fogg Art Museum, Harvard University Art Museums, Gift of Mrs. Francis Ormond 
     
  18. A Street in Venice, ca. 1880–82 

    19. Oil on canvas 
    29 9/16 x 20 5/8 in. 
    Sterling and Francine Clark Art Institute, Williamstown, Massachusetts 
     
  19. A Venetian Palace (Palazzo Dona' della Madonetta), ca. 1880–82 

    20. Pencil on paper 
    12 4/5 x 10 3/10 in. 
    Fogg Art Museum, Harvard University Art Museums, Gift of Miss Emily Sargent and Mrs. Francis Ormond in memory of their brother, John Singer Sargent 
     
  20. Venetian Water Carriers, 1880–82 

    21. Oil on canvas 
    25 3/8 x 27 3/4 in. 
    Worcester Art Museum, Worcester, Massachusetts, Museum Purchase, Sustaining Membership Fund 
     
  21. Vernon Lee, 1881 

    22. Oil on canvas 
    21 1/8 x 17 in. 
    The Tate Gallery, London, Bequeathed by Miss Vernon Lee through Miss Cooper Willis, 1935 
     
  22. Head Studies for Seated Woman, ca. 1881 

    23. Pencil on paper 
    22 3/4 x 9 in. 
    Isabella Stewart Gardner Museum, Boston 
     
  23. Leaving Church, Campo San Canciano, Venice (Sortie de l'église), ca. 1882 

    24. Oil on canvas 
    22 x 33 1/2 in. 
    Collection of Marie and Hugh Halff 
     
  24. The Sulphur Match, 1882 

    25. Oil on canvas 
    23 x 16 1/4 in. 
    Collection of Marie and Hugh Halff 
     
  25. Venetian Interior, 1882 

    26. Oil on canvas 
    19 1/8 x 24 in. 
    Sterling and Francine Clark Art Institute, Williamstown, Massachusetts 
     
  26. Paul Helleu, ca. 1882–84 

    27. Pencil on paperboard 
    13 3/16 x 10 5/16 in. 
    The Metropolitan Museum of Art, Gift of Mrs. Francis Ormond, 1950 
     
  27. Charles Stuart Forbes, ca. 1883 

    28. Oil on canvas 
    28 3/4 x 21 1/4 in. 
    The Virginia Steele Scott Gallery at the Huntington Library, Art Collections and Botanical Gardens 
     
  28. Madame Pierre Gautreau in Profile, ca. 1883 

    29. Pencil on paper 
    12 3/4 x 9 3/8 in. 
    Collection of Ms. Elizabeth Feld 
     
  29. Unfinished Replica of Madame X (Madame Pierre Gautreau), ca. 1884 

    30. Oil on canvas 
    81 1/4 x 42 1/2 in. 
    The Tate Gallery, London, Presented by Lord Duveen through the National Art Collections Fund, 1925 
     
  30. Mrs. Frederick Barnard, 1885 

    31. Oil on canvas 
    41 x 22 1/2 in. 
    The Tate Gallery, London, Bequeathed by Miss Dorothy Barnard 
     
  31. Dorothy Barnard, 1885–86 

    32. Pencil on paper 
    9 3/4 x 8 1/4 in. 
    The Tate Gallery, London, Bequeathed by Miss Dorothy Barnard 
     
  32. The Birthday (Fête Familiale), 1887 

    33. Oil on canvas 
    24 x 29 in. 
    The Minneapolis Institute of Arts, The Ethel Morrison Van Derlip and The John R. Van Derlip Funds 
     
  33. Robert Louis Stevenson, 1887 

    34. Oil on canvas 
    20 x 24 1/4 in. 
    Taft Museum of Art, Cincinnati, Bequest of Charles Phelps and Anna Sinton Taft 
     
  34. Photogravure of a painting by Sargent. Plate 5 in Alma Strettell, Spanish & Italian Folk-Songs. Translated by Alma Strettell, with photogravures after sketches by John S. Sargent, Edwin A. Abbey, Morelli, and W. Padgett. (London and New York: Macmillan and Co., 1887) 

    35.  
  35. Portrait of John Alfred Parsons Millet, 1888 

    36. Pencil on paper 
    9 1/4 x 6 in. 
    Private collection 
     
  36. A Morning Walk, 1888 

    37. Oil on canvas 
    26 1/2 x 19 3/4 in. 
    Private collection 
     
  37. A Javanese Girl at Her Toilet, 1889 

    38. Oil on canvas 
    25 1/2 x 21 in. 
    Collection of Stevenson Scott Kaminer 
     
  38. Flora Priestley, ca. 1889 

    39. Oil on canvas 
    25 x 19 in. 
    Collection of the Ormond Family 
     
  39. Opera Scene, 1890 

    40. Monotype on paper 
    16 x 25 11/16 in. 
    Fine Arts Museums of San Francisco, Gift of Mrs. Hamilton Vreeland Jr. and Achenbach Foundation for Graphic Arts purchase 
     
  40. Woman with Collie, 1890s 

    41. Watercolor 
    14 x 10 in. 
    The Metropolitan Museum of Art, Gift of Mrs. Francis Ormond, 1950 
     
  41. Three Sketches of a Bodhisattva (Sanchi Torso), 1890s 

    42. Pencil and charcoal on paper 
    13 2/5 x 9 9/10 in. 
    Fogg Art Museum, Harvard University Art Museums, Gift of Miss Emily Sargent and Mrs. Francis Ormond in memory of their brother, John Singer Sargent 
     
  42. Album of Figure Studies 

    43. 29 drawings (ca. 1890–1915) and one collotype (ca. 1921) 
    Charcoal on paper and one collotype 
    Fogg Art Museum, Harvard University Art Museums, Gift of Mrs. Francis Ormond 
     
    Folio 1 Partial View of a Standing Male Nude
    24 1/2 x 18 9/16 in. 
    Folio 2 Reclining Male Nude with Draped Crotch
    24 5/16 x 18 9/16 in. 
    Folio 3 Standing Male Nude with Raised Right Arm, Seen from Behind
    24 3/4 x 19 in. 
    Folio 4 Recumbent Male Nude Leaning on His Right Forearm
    18 3/4 x 24 9/16 in. 
    Folio 5 Male Nude Reclining on a Stairway
    18 3/4 x 24 7/16 in. 
    Folio 6 Kneeling Male Nude with Drapery
    24 x 18 1/2 in. 
    Folio 7 Male Nude Reclining on Model Stand
    18 5/8 x 24 5/8 in. 
    Folio 8 Male Nude Reclining, Seen from Behind
    18 7/8 x 24 1/2 in. 
    Folio 9 Standing Male Nude with Arms Akimbo
    25 x 19 3/16 in. 
    Folio 10 Standing Male Nude Seen from Behind
    24 7/16 x 18 11/16 in. 
    Folio 11 Standing Male Nude, Body Facing Right
    24 1/2 x 18 11/16 in. 
    Folio 12 Standing Male Nude, Body Facing Forward
    24 1/2 x 18 11/16 in. 
    Folio 13 Crescenzo Fusciardi
    24 x 18 5/16 in. 
    Folio 14 Study for a Bible Illustration (Two Standing Males), ca. 1898 
    23 3/4 x 18 1/8 in. 
    Folio 15 Two Reclining Male Nudes
    20 3/4 x 25 13/16 in. 
    Folio 16 Study for a Bible Illustration (Two Reclining Draped Males), ca. 1898 
    24 11/16 x 19 in. 
    Folio 17a Study for Bible Illustration (David in the Camp of the Philistines), ca. 1898 
    15 3/16 x 18 15/16 in. 
    Folio 17b Study for a Bible Illustration (Reclining Draped Male with Bolster)
    12 11/16 x 19 in. 
    Folio 18 Reclining Male Nude, Left Arm Stretched Forward
    18 1/2 x 24 7/16 in. 
    Folio 19 Seated Male Nude with Drapery
    24 7/16 x 21 1/16 in. 
    Folio 20 Reclining Male Nude, Left Hand behind Head
    18 7/16 x 24 5/16 in. 
    Folio 21 Standing Male Nude with Raised Arms
    24 7/16 x 18 3/8 in. 
    Folio 22 Torso of Seated Male Nude with Right Arm Raised
    24 7/16 x 18 11/16 in. 
    Folio 23 Standing Male Nude, Viewed from Below
    24 7/8 x 19 in. 
    Folio 24 Male Nude Seen from Behind, Right Arm Raised over Head
    24 5/16 x 19 in. 
    Folio 25 Seated Male Nude with Hands behind Head
    24 5/16 x 19 1/8 in. 
    Folio 26 Reclining Male Nude with Billowing Drapery
    24 7/16 x 19 in. 
    Folio 27 Male Nude Leaning Back on a Ladder
    24 1/2 x 18 13/16 in. 
    Folio 28 Reclining Male Nude with Hands behind Head
    18 3/4 x 24 9/16 in. 
    Folio 29 Male Head in Profile
    27 5/8 x 35 1/4 in. 
    Folio 30 Collotype after Drawing by John Singer Sargent (Seated Male Nude, Study for Sculpted Figure in the Rotunda of the Museum of Fine Arts, Boston), ca. 1921 
    19 15/16 x 24 7/8 in. 
  43. Wall Relief of Lions at Denderah, Egypt, 1891 

    44. Gray wash, pencil and charcoal on paper 
    10 1/5 x 14 in. 
    Fogg Art Museum, Harvard University Art Museums, Gift of Mrs. Francis Ormond 
     
  44. Study for “Frieze of the Prophets,” 1891–92 

    45. Oil on canvas 
    22 x 28 in. 
    Museum of Fine Arts, Boston, Gift of Mrs. Francis Ormond, 1937 
     
  45. Sketches of Arms and Knee (Angelo Colarossi), 1891-94

    46. Charcoal on paper 
    23 13/16 x 18 5/8 in. 
    Corcoran Gallery of Art, Gift of Miss Emily Sargent and Mrs. Violet Sargent Ormond 
     
  46. Study for “Frieze of the Prophets,” 1892–95 

    47. Oil on canvas 
    47 1/4 x 34 5/8 in. 
    Fogg Art Museum, Harvard University Art Museums, Gift of Mrs. Francis Ormond 
     
  47. Women Approaching, ca. 1895 

    48. Watercolor 
    10 x 14 in. 
    The Metropolitan Museum of Art, Gift of Mrs. Francis Ormond, 1950 
     
  48. Tangier, ca. 1895 

    49. Watercolor and pencil on paper 
    10 x 14 in. 
    Brooklyn Museum of Art, Purchased by Special Subscription 
     
  49. Asher Wertheimer, 1898 

    50. Oil on canvas 
    58 x 38 1/2 in. 
    The Tate Gallery, London, Presented by the widow and family of Asher Wertheimer in accordance with his wishes, 1922 
     
  50. Mrs. Asher Wertheimer, 1898 

    51. Oil on canvas 
    58 x 37 1/2 in. 
    New Orleans Museum of Art, Museum purchase in memory of William H. Henderson 
     
  51. Cornice of the Bell Tower, Turin Cathedral, ca. 1900

    52. Brown ink, blue wash on paper 
    5 x 7 in. 
    Fogg Art Museum, Harvard University Art Museums, Gift of Miss Emily Sargent and Mrs. Francis Ormond in memory of their brother, John Singer Sargent 
     
  52. Gondolier, Venice, ca. 1900 

    53. Pencil on paper 
    11 1/16 x 7 13/16 in. 
    Corcoran Gallery of Art, Gift of Miss Emily Sargent and Mrs. Violet Sargent Ormond 
     
  53. Man in a Gondola, Venice, ca. 1900–1908 

    54. Watercolor and pencil on paper 
    19 1/2 x 21 in. 
    Private collection 
     
  54. Ena and Betty, Daughters of Asher and Mrs. Wertheimer, 1901 

    55. Oil on canvas 
    73 x 51 1/2 in. 
    The Tate Gallery, London, Presented by the widow and family of Asher Wertheimer in accordance with his wishes, 1922 
     
  55. Hylda, Daughter of Asher and Mrs. Wertheimer, 1901 

    56. Oil on canvas 
    84 1/2 x 56 1/2 in. 
    The Tate Gallery, London, Presented by the widow and family of Asher Wertheimer in accordance with his wishes, 1922 
     
  56. Alfred, Son of Asher Wertheimer, ca. 1901 

    57. Oil on canvas 
    64 1/4 x 45 1/4 in. 
    The Tate Gallery, London, Presented by the widow and family of Asher Wertheimer in accordance with his wishes, 1922 
     
  57. Edward, Son of Asher Wertheimer, 1902 

    58. Oil on canvas 
    64 1/4 x 45 1/4 in. 
    The Tate Gallery, London, Presented by the widow and family of Asher Wertheimer in accordance with his wishes, 1922 
     
  58. Essie, Ruby and Ferdinand, Children of Asher Wertheimer, 1902 

    59. Oil on canvas 
    63 1/2 x 76 1/4 in. 
    The Tate Gallery, London, Presented by the widow and family of Asher Wertheimer in accordance with his wishes, 1922 
     
  59. Sketch of Cellini’s “Perseus,” ca. 1902 

    60. Watercolor and pencil on paper 
    14 3/8 x 8 15/16 in. 
    National Gallery of Art, Washington, Gift of R. Horace Gallatin, 1949 
     
  60. A Note (The Libreria, Venice), ca. 1902 

    61. Watercolor 
    14 x 20 1/16 in. 
    Fine Arts Museums of San Francisco, Gift of Mr. and Mrs. George Hopper Fitch 
     
  61. Tomb, Toledo, 1902 

    62. Watercolor and pencil on paper 
    14 5/8 x 11 in. 
    Museum of Art, Rhode Island School of Design, Providence, Anonymous gift 
     
  62. St. Teresa of Avila, 1902–03 

    63. Watercolor and pencil on paper 
    14 3/5 x 10 in. 
    Fogg Art Museum, Harvard University Art Museums, Gift of Mrs. Francis Ormond 
     
  63. A Spanish Interior, ca. 1903 

    64. Watercolor and pencil on paper 
    Collection of Jan and Warren Adelson 
     
  64. Santiago del Compostella, Spain, 1903 

    65. Watercolor 
    12 x 18 in. 
    Museum of Fine Arts, Boston, The Hayden Collection, Charles Henry Hayden Fund 
     
  65. Green Door, Santa Maria della Salute, Venice, ca. 1904 

    66. Watercolor and pencil on paper 
    20 7/8 x 14 1/8 in. 
    The Metropolitan Museum of Art, Gift of Mrs. Francis Ormond, 1950 
     
  66. Mrs. Asher Wertheimer, 1904 

    67. Oil on canvas 
    64 1/4 x 42 1/2 in. 
    The Tate Gallery, London, Presented by the widow and family of Asher Wertheimer in accordance with his wishes, 1922 
     
  67. A Vele Gonfie: Portrait of Ena Wertheimer, 1905 

    68. Oil on canvas 
    64 1/4 x 42 1/2 in. 
    The Tate Gallery, London, Bequeathed by Robert Mathias, 1996 
     
  68. Hylda, Almina and Conway, Children of Asher Wertheimer, 1905 

    69. Oil on canvas 
    74 x 52 1/2 in. 
    The Tate Gallery, London, Presented by the widow and family of Asher Wertheimer in accordance with his wishes, 1922 
     
  69. Duchess of Marlborough (Consuelo Vanderbilt), ca. 1905 

    70. Pencil on paper 
    11 1/4 x 7 7/8 in. 
    The Metropolitan Museum of Art, Gift of Mrs. Francis Ormond and Miss Emily Sargent, 1931 
     
  70. Señor Manuel Garcia, 1905 

    71. Oil on canvas 
    50 1/4 x 38 1/2 in. 
    Museum of Art, Rhode Island School of Design, Providence, Museum Appropriations Fund 
     
  71. Arab Stable, 1905–06 

    72. Watercolor 
    10 7/6 x 14 3/8 in. 
    Brooklyn Museum of Art, Purchased by Special Subscription 
     
  72. Bridge of Sighs, ca. 1905–08 

    73. Watercolor 
    10 x 14 in. 
    Brooklyn Museum of Art, Purchased by Special Subscription 
     
  73. The Guidecca, ca. 1905–08 

    74. Watercolor 
    10 x 14 in. 
    Brooklyn Museum of Art, Purchased by Special Subscription 
     
  74. Rigging, ca. 1905–08 

    75. Watercolor 
    11 5/16 x 18 1/16 in. 
    Brooklyn Museum of Art, Purchased by Special Subscription 
     
  75. Venice: La Dogana, ca. 1906–1911 

    76. Watercolor 
    19 3/4 x 14 in. 
    Museum of Fine Arts, Boston, Hayden Collection, Charles Henry Hayden Fund, 1912 
     
  76. Boboli, 1907 

    77. Watercolor 
    18 1/8 x 11 7/16 in. 
    Brooklyn Museum of Art, Purchased by Special Subscription 
     
  77. In a Medici Villa, ca. 1907 

    78. Watercolor 
    21 3/16 x 14 3/8 in. 
    Brooklyn Museum of Art, Purchased by Special Subscription 
     
  78. Terrace and Gardens, Villa Torlonia Frascati, 1907 

    79. Watercolor and pencil on paper 
    14 5/8 x 21 1/4 in. 
    The Metropolitan Museum of Art, Gift of Mrs. Francis Ormond 
     
  79. Villa Falconiere, 1907 

    80. Watercolor 
    14 1/2 x 21 in. 
    Museum of Fine Arts, Boston, The Hayden Collection, Charles Henry Hayden Fund 
     
  80. Zuleika, 1907 

    81. Watercolor 
    10 x 14 in. 
    Brooklyn Museum of Art, Purchased by Special Subscription 
     
  81. The Chess Game, ca. 1907 

    82. Oil on canvas 
    27 1/2 x 21 3/4 in. 
    Private collection 
     
  82. Almina, Daughter of Asher Wertheimer, 1908 

    83. Oil on canvas 
    52 3/4 x 39 3/4 in. 
    The Tate Gallery, London, Presented by the widow and family of Asher Wertheimer in accordance with his wishes, 1922 
     
  83. Betty Wertheimer, 1908 

    84. Oil on canvas 
    50 3/4 x 39 3/8 in. 
    National Museum of American Art, Smithsonian Institution, Washington, D.C., 
    Gift of John Gellatly 
     
  84. Pomegranates, 1908 

    85. Watercolor 
    21 3/16 x 14 7/16 in. 
    Brooklyn Museum of Art, Purchased by Special Subscription 
     
  85. Violet Sleeping, ca. 1908–10 

    86. Watercolor 
    14 11/16 x 21 5/16 in. 
    Brooklyn Museum of Art, Gift of Mrs. Lawrence B. Dunham 
     
  86. Rape of a Sabine, after Giambologna, Loggia dei Lanzi, Florence, ca. 1909 

    87. Pencil on paper 
    14 1/8 x 10 in. 
    Fogg Art Museum, Harvard University Art Museums, Gift of Mrs. Francis Ormond 
     
  87. Corfu: A Rainy Day, 1909 

    88. Watercolor 
    14 1/2 x 21 1/4 in. 
    Museum of Fine Arts, Boston, The Hayden Collection, Charles Henry Hayden Fund 
     
  88. Florence: Torre Galli, 1910 

    89. Watercolor 
    26 1/2 x 26 1/4 in. 
    Museum of Fine Arts, Boston, The Hayden Collection, Charles Henry Hayden Fund 
     
  89. Florence: Torre Galli Wine Bags, 1910 

    90. Watercolor 
    19 3/4 x 12 1/2 in. 
    Museum of Fine Arts, Boston, The Hayden Collection, Charles Henry Hayden Fund 
     
  90. Women at Work, ca. 1910 

    91. Oil on canvas 
    22 x 28 in. 
    Private collection, Seattle, Washington 
     
  91. Bringing Down Marble from the Quarries to Carrara, 1911 

    92. Oil on canvas 
    28 1/8 x 36 1/8 in. 
    The Metropolitan Museum of Art, Harris Brisbane Dick Fund, 1917 
     
  92. Carrara: In a Quarry, 1911 

    93. Watercolor 
    16 x 20 3/4 in. 
    Museum of Fine Arts, Boston, The Hayden Collection, Charles Henry Hayden Fund 
     
  93. Carrara: Little Quarry, 1911 

    94. Watercolor 
    14 x 20 in. 
    Museum of Fine Arts, Boston, The Hayden Collection, Charles Henry Hayden Fund 
     
  94. Carrara: Marmo Statuario, 1911 

    95. Watercolor 
    14 1/4 x 20 in. 
    Museum of Fine Arts, Boston, The Hayden Collection, Charles Henry Hayden Fund 
     
  95. Carrara: Quarry II, 1911 

    96. Watercolor 
    14 x 20 in. 
    Museum of Fine Arts, Boston, The Hayden Collection, Charles Henry Hayden Fund 
     
  96. Repose (Nonchaloir), 1911 

    97. Oil on canvas 
    25 1/8 x 30 in. 
    National Gallery of Art, Washington, Gift of Curt H. Reisinger, 1948 
     
  97. Granada, 1912 

    98. Watercolor 
    15 3/4 x 20 7/8 in. 
    The Metropolitan Museum of Art, Gift of Mrs. Francis Ormond, 1950 
     
  98. Yachts at Anchor, Palma de Majorca, 1912 

    99. Watercolor 
    16 x 20 in. 
    Private Collection 
     
  99. Corner of the Church of San Stae, Venice, 1913 

    100. Oil on canvas 
    28 1/2 x 22 in. 
    Private collection 
     
  100. Joseph B. Warner, 1913

    101. Charcoal on paper 
    29 3/4 x 23 in.
    Private collection 
     
  101. View in the Dolomites, 1914 

    102. Watercolor 
    13 1/2 x 20 3/4 in. 
    Seattle Art Museum, Margaret E. Fuller Purchase Fund, 71.39 
     
  102. Tents at Lake O’Hara, 1916 

    103. Oil on canvas 
    22 x 28 1/8 in. 
    Wadsworth Atheneum, Hartford, The Ella Gallup Sumner and Mary Catlin Sumner Collection Fund 
     
  103. A Tent in the Rockies, 1916 

    104. Watercolor and pencil on paper 
    15 x 20 1/2 in. 
    Isabella Stewart Gardner Museum, Boston 
     
  104. Bather in Florida, 1917 

    105. Watercolor and pencil on paper 
    15 3/4 x 20 7/8 in. 
    The Metropolitan Museum of Art, Gift of Mrs. Francis Ormond, 1950 
     
  105. Nude Study of Thomas E. McKeller, ca. 1917–20 

    106. Oil on canvas 
    49 1/2 x 33 1/4 in. 
    Museum of Fine Arts, Boston, Henry H. and Zoë Oliver Sherman Fund, 1986 
     
  106. Ruined Cathedral, Arras, 1918 

    107. Oil on canvas 
    22 x 28 in. 
    Private collection, U.K. 
     
  107. Sketch of a Motorcycle with Shadow, 1918 

    108. Pencil on paper 
    7 1/16 x 5 1/8 in. 
    Corcoran Gallery of Art, Washington, D.C., Gift of Miss Emily Sargent and Mrs. Violet Sargent Ormond 
     
  108. Soldiers in a Devastated Landscape, 1918 

    109. Pencil on paper 
    10 x 14 5/16 in. 
    Corcoran Gallery of Art, Gift of Miss Emily Sargent and Mrs. Violet Sargent Ormond 
     
  109. Two Soldiers and an Officer, with Five Views of a Hand, 1918–19 

    110. Charcoal on paper 
    18 11/16 x 24 1/4 in. 
    Corcoran Gallery of Art, Gift of Miss Emily Sargent and Mrs. Violet Sargent Ormond

Supplementary Works in the Gallery of Wertheimer Portraits

  1. John Singer Sargent 

    2. Ena Wertheimer, ca. 1910 
    Pencil on paper 
    14 x 10 in. 
    Collection of Mrs. David Mathias 
     
  2. Unidentified maker 

    3. Wertheimer Genealogy
    Tempera on parchment 
    Collection of Mrs. David Mathias 
     
  3. Unidentified photographer 

    4. Ena Wertheimer Mathias at Her Presentation to the Court, 1927 
    Gelatin silver print 
    Collection of Mrs. David Mathias 
     
  4. Unidentified photographer 

    5. Asher Wertheimer
    Gelatin silver print 
    Collection of Mrs. David Mathias 
     
  5. G. C. Beresford

    6. British, 1864-1938 
    Almina Wertheimer
    Gelatin silver print 
    Collection of Mrs. David Mathias 
     
  6. G. C. Beresford

    7. British, 1864-1938 
    Ena Wertheimer
    Gelatin silver print 
    Collection of Mrs. David Mathias 
     
  7. T. H. Voigt 

    8. Ferdinand and Conway Wertheimer
    Gelatin silver print 
    Collection of Mrs. David Mathias 
     
  8. Unidentified photographer 

    9. Ferdinand Wertheimer
    Gelatin silver print 
    Collection of Mrs. David Mathias 
     
  9. Wakefields Studio 

    10. Funeral Cortège for Eustace Salaman, Husband of Betty Wertheimer Salaman, Leaving the Wertheimer Home at 8 Connaught Place, 1918 
    Gelatin silver print 
    Collection of Mrs. David Mathias 
     
  10. Unidentified photographer 

    11. Baron Louis von Lowenstein, Asher Wertheimer, Antonio Mancini, John Singer Sargent, and Edward Wertheimer at the Wertheimers’ Country Estate of Temple near Henley
    Gelatin silver print 
    Collection of Mrs. David Mathias 
 
 
Notes
 
 

 


By:  Natasha Wallace
Copyright 1998-2004 all rights reserved
Created 5/21/2004
Updated 5/21/2004