Charles
Stewart, Sixth
Marquess of Londonderry, Carrying the Great Sword of State at the
Coronation
of King Edward VII, August 1902 and Mr. W. C. Beaumont, His Page on
that
Occasion, 1904
John Singer
Sargent -- American
painter
1902/1904
Museum of Fine
Arts, Boston
Oil on
canvas
287 x 195.6 cm
(113 x 77
in.)
Jpg: local
(click on the image
to step
closer)
From: Boston Globe
Date: 7/2/2003
Museum
adds a Sargent
to
collection
By Geoff Edgers,
Globe Staff,
7/2/2003
The Museum of Fine
Arts confirmed
yesterday that it has purchased the John Singer Sargent painting
entitled
''Charles Stewart, Sixth Marquess of Londonderry, Carrying the Great
Sword
of State at the Coronation of King Edward VII, August, 1902, and Mr. W.
C. Beaumont, His Page on That Occasion.''
The painting will
be on display in
the Susan Morse Hilles Gallery through Sunday. It was placed there last
month, a few months
|
Daughters
of Edward Darley Boit
1882 |
after one of the
MFA's most famous
Sargents, ''The Daughters of Edward Darley Boit'' was lent to the
Metropolitan
Museum of Art in New York. On Aug. 13, the gallery will reopen as an
all-Sargent
space, with both the Boit daughters and ''Lord Londonderry,'' the
museum's
shorthand name for the work.
The MFA wouldn't
say how much the
new Sargent cost, other than that it was at least $1 million. Officials
also wouldn't say where it came from, though the John Singer Sargent
Virtual
Gallery (www.jssgallery.org) lists it as part of New York financier
Henry
Kravis's collection.
MFA director
Malcolm Rogers said
the owner's agent contacted him in early May, a day after he and Elliot
Bostwick Davis, chair of the MFA's art of the Americas department, were
discussing a hole in the museum's collection: The MFA has more than 500
Sargents, but no full-length portrait of a man.
''It's not Sargent
at his most intimate,''
says Trevor Fairbrother, a former MFA curator who acknowledges the
painting
isn't his favorite. ''It's not the Boit girls, where there's a very
strong
rapport with the subject matter. It's more Sargent painting an
important
person in an important costume, and he's an important artist. It's a
very
good addition for them.''
Or as Erica
Hirshler, MFA senior
curator of paintings in the art of the Americas department, puts it:
''If
we're going to be an encyclopedic collection of Sargent, then you can't
leave out a third of his career.''
Sargent, an
American painter who
lived from 1856 to 1925, has a special connection to Boston. Three of
his
murals are featured in local buildings, including the MFA, Boston
Public
Library, and Harvard's Widener Library.
In ''Lord
Londonderry,'' the central
figure, dressed in white, holds a massive sword firmly in his hands.
''It's
called the `Great Sword of State,' and it is a symbol of all the
majesty
of the king,'' Rogers says. ''I think it's kept in the Tower of London.
It's not quite 4 feet, but it looks pretty big.''
Geoff Edgers
<gedgers@globe.com>
Story
site
This story ran
on page E8
of the Boston Globe on 7/2/2003.
Boston
Globe
135 Morrissey
Boulevard
P.O. Box 2378
Boston, MA
02107-2378
617-929-2000
Notes:
Special thanks to Bert
"Pragmatic
Romanticist", a friend
of the JSS Gallery, for help with this image of Sargent's
painting.
Provenance
Was in the
Collection of Henry R.
Kravis (per John Singer Sargent; Patricia Hills Whitney Museum, 1987)
prior
to Musuem of fine Arts, Boston purchase as of July 2003. One source who
claims to have been near the transaction says the price was in the
neighborhood of 3 million.
Exhibitions
John
Singer
Sargent,
An Exhibition -- Whitney
Museum, NY & The Art Institute of Chicago 1986-1987
|