|
Title
|
|
Cloud
Study
1900-
Museums of San
Francisco, CA
Watercolor
24.2 x 33.2 cm |
|
|
|
Earl
of Dalhousie (1878-1928)
1900
Private
collection
Oil on canvas
152.4 x 101.6
cm (60 x 40
in) |
|
|
|
Design
for Hawk Dress for Mrs. C.E. Hunter as Queen Phalema in "The Seraph"
1900
National
Gallery of Art,
Washington, D.C.
Same
Drawing
photo-mechanical
reproduction |
|
|
|
Hercules
Brabazon Brabazon
1900
National
Museums and
Galleries of Wales, Cardiff
Oil on canvas
56.5 x 40.6 cm
Acquired 1963;
Bequest;
Margaret Davies
Accession
Number NMW A 179 |
|
|
|
Harley
Granville-Barker (1877-1946)
1900
National
Portrait Gallery, London
Chalk
61.6
x 47.6 cm (24 1/4
x 18 3/4
in.)
NPG
4178 |
|
|
|
Sir David
Richmond
1900
Glasgow Art Gallery and Museum, Glasgow, Scotland
Oil on canvas
243.8 x 134.6 cm (96 x 53 in.)
Inscription: (Lower left:) John S. Sargent signed
|
|
|
|
Sir
David Richmond (2nd)
1900
Glasgow Art Gallery and Museum, Glasgow, Scotland
Oil on canvas
147.3 x 96.5 cm (58 x 38 in.)
Inscription: (Upper left:) John S. Sargent signed
|
|
|
|
Portrait
of Dorothy
1900
Natasha
Dallas Museum
of Art, Texas
Oil on
canvas
24 x 19 3/4
in.
Gift of Leland
Fikes Foundation,
Inc. |
|
|
|
Elizabeth
Garrett
Anderson
1900
Private collection
Oil on canvas
83.8 x 66 cm (32.99 x 25.98 in.)
|
|
|
|
Charlotte Cram
1900
Private collection
Oil on canvas
88.5 x 61 cm (34 3/4 x 24 in.)
Inscribed: (Upper right:) John S. Sargent
|
|
|
|
The
Honourable Mrs. Charles Russell
1900
Private
collection
Oil on canvas
104.8 x 73.7 cm (41 1/4 x 29 in.)
Inscription: (Lower left:) John S. Sargent 1900
signed
(Copy: Mrs.
Charles Russel (in Madrid) with essay)
(Are
there more paintings of Mrs Charles Russell?)
|
|
|
|
Girl Reading
c. 1900
Manchester Art
Gallery, UK
On paper
33.3 x 22.3 cm
Assession:1930.151
|
|
|
Sir Charles Loch
(1849 - 1923)
1901
National
Gallery of Scotland, Edinburgh
Oil on canvas
87.10 x 64.70
cm
Accession no.PG 3181 |
|
|
|
Mrs.
Cazalet and Children Edward and Victor
1900-1901
Natasha
Private
collection
Oil on
canvas
254 x 165.1 cm
(100 x 65
in)
Signed, upper
left: John
S. Sargent |
|
|
|
Sketch
of Two Women, a Man and a Child
1900 ?
Museum of Fine
Arts,
Boston
Brown wash over graphite pencil
image: 25.7 x 24.4 cm (10 1/8 x 9 5/8 in.) Sheet: 35.2 x 31.5 cm
(13 7/8 x 12 3/8 in.)
Sargent Collection. Gift of Miss Emily
Sargent and Mrs. Violet Ormond in memory of their brother John Singer
Sargent 28.950 |
|
|
|
Sitwell
Family
1900
Natasha
Sir Reresby
Sitwell Bt.
Oil
170 X 193 cm |
|
|
|
Venice,
View from the Bacino
1900
Private
collection
Watercolor and
pencil on
paper
24.9 x 35.6 cm
(9.8 x 14
in)
Signed and
dedicated lower
right John S.Sargent |
|
|
|
Lady with
Parasol
1900
Abbey of Montserrat
Watercolor
53 x 40 cm
Inscribed
|
|
|
|
Ellen
Peabody Endicott
1901
Natasha
National
Gallery of Art,
Washington, D.C.
Oil on canvas
162.9 x 114.3
cm (64 1/8
x 45 in.)
Gift of Louise
Thoron Endicott
in memory of Mr. and Mrs. William Crowninshield Endicott, 1951.20.1 |
|
|
|
Edith French
c.1901
Private
collection
Oil on canvas
24 x 18 in.
Inscribed ul JSS |
|
|
|
Ena
and Betty, Daughters of Asher and Mrs. Wertheimer
1901
Natasha
Tate Gallery,
London
Same
Oil on
canvas
185.4 x 130.8
cm (73 x 51 1/2
in.)
Presented by
the widow and
family of Asher Wertheimer in accordance with his wishes 1922
(The
Pragmatic Romanticist)
(The
Wertheimer Family Portraits)
|
|
|
|
Alfred,
Son of Asher Wertheimer
1901
Natasha
Tate Gallery,
London
Oil on canvas
163 x 115
cm
signed;
Presented by the
widow and family of Asher Wertheimer in accordance with his wishes
1922:
N03709 |
|
|
|
Hylda,
Daughter of Asher and Mrs
1901
Tate Gallery,
London
Same
Oil on
canvas
214.6 x 143.5
cm
painting signed
Presented by
the widow and
family of Asher Wertheimer in accordance with his wishes 1922 |
|
|
|
Mrs.
Edward Goetz
1901
Brigham Young
University, Museum of Fine Arts, Provo, Utah
Oil on canvas
57 1/2 x 41 1/2 in. (146 x 105.4 cm)
Inscription: (Upper left:) John S. Sargent signed
Acquired 2000
|
|
|
|
Dame
Ethel Smyth
1901
Natasha
National
Portrait Gallery,
London
Black chalk on
paper
59.7 x 46 cm
(23 1/2 x
18 1/8 in.) |
|
|
|
Lady Meysey-Thompson
c. 1901
Private collection
Oil on canvas
160 x 100 cm (62.99 x 39.37 in.) |
|
|
|
Egerton
Leigh Winthrop
1901
Knickerbocker
Club, NY
Oil
63 1/4
x 42 1/4 in. |
|
|
|
John Ridgely Carter
1901
Private collection
Oil on canvas
85.1 x 67.31 cm (33.5 x 26.5 in.)
|
|
|
|
Professor
Ingram Bywater
exhibited 1901
Natasha
Tate Gallery,
London
Oil on
canvas
147.3 x 97.2 cm
Bequeathed by
Mrs. Ingram
Bywater 1914 N03012 |
|
|
|
George
McCulloch
1901
Natasha
Boston
Athenaeum, Massachusetts
Oil on
canvas
27.5 x 21.5
in.
Gift of Peggy
McCulloch
Jacobsen, 1996. |
|
|
|
On
His Holidays
1901
Natasha
Lady Lever Art
Gallery,
Port Sunlight Village, England.
Oil on canvas
53 1/2
x 95 1/2 in.
(Essay
and Pic) notes off site
|
|
|
|
A
Torrent in Norway
1901 ??
Private
collection
Oil on canvas
22 3/8
x 29 3/4 in |
|
|
|
Rushing
Water
c. 1901-1908
Metropolitan
Museum of Art,
New York
Watercolor,
gouache, and
graphite on white wove paper
35.6 x 25.3 cm
(14 x 9 15/16
in.)
Gift of Mrs.
Francis Ormond,
1950 (50.130.80e) |
|
|
|
Stream
and Rocks
c. 1901–8
Metropolitan
Museum of Art,
New York
Watercolor,
gouache, and
graphite on white wove paper
25.4 x 35.5 cm
(10 x 14
in.)
Inscriptions:
[on verso
at upper left]: 186 Brook / by J.S.Sargent / E.S; [at center]: D /18;
[at
lower right]: 5209 [encircled]
Gift of Mrs.
Francis Ormond,
1950 (50.130.71) |
|
|
|
Girgenti
c. 1901
Private Collection
Watercolor on paper
31.11 x 46.36 cm (12.25 x 18.25 in.) |
|
|
|
Duke
of Portland
1901
Owner?
Oil on Canvas
89 x 43.5 In.
Signed
(Black and
white image)
|
|
1900
(44 years old)
Year
In Context
February: he
donates Autumn
on the River to the South African Relief Fund for sale at
auction
at Christie’s London.
Claude Monet
is in London and paints his House of Parliament series. Mary
Hunter,
(mother of The
Misses Hunter) and Sargent play host during his stay.
May: at the Royal
Academy he shows An
Interior in Venice (1898), The Earl of Dalhousie and the
Wyndham Sisters (1899).
Paris again holds
another Exposition
Universal. This time around, the U.S. State Department gets involved
and
mounts an ambitious display for the American section to demonstrate the
country's growing importance in the world. For the arts, a very
deliberate
selection of painters are chosen to show the country's best: William
Merritt Chase, Thomas Eakins, George Inness, Henry Ward Range, Theodore
Robinson, Augustus
Saint-Gaudens, Winslow Homer, Louis Comfort Tiffany, James
McNeill Whistler, and John Singer Sargent are among the prominent
names.
Sargent sends Mrs.
Carl Meyer
and her Children (1896) and wins a Medal of Honor. As a whole, the
Americans garner more awards than any other nation except the French
and
critics proclaim the American section to be the "Ecole
Américaine."
Portrait
commissions come pouring
in for Sargent. He needs more space. In August he enlarges his studio
by
leasing the house next door (31 Tite Street), he knocks a passageway
through
the wall, and uses the new house as his main entrance.
(Tite
Street Studio)
September: he
travels to Switzerland
and then Italy – Genoa, Milan, Bologna, and Florence.
Max Beerbohm's caricature
of Sargent appears in the Christmas Supplement of the British
magazine The
World.
|
1901
(45 years old)
Year
In Context
January, 22, Queen
Victoria dies.
John is in Fairford.
Sometimes in
January - February, Claude
Monet is back in London for an exhibition of nine of his paintings at
the
Hanover Gallery which was running a show on Impressionists, which
included
Monet. John attends the show with him.
May: he declines a
commission to
paint the coronation of King Edward VII. Feeling very uneasy about it,
he writes: “The fact of my entire dependence on nature, both for
likeness
and qualities of painting, makes me particularly unfit for this high
task.”
His friend Edwin
Austin Abbey does the painting.
He exhibits the Crucifixion
(1899)
at the Royal Academy and he sends paintings to the Pan-American
Exhibition,
in Buffalo, New York.
August - September: he
travels to
Norway for salmon fishing with George McCulloch and his son Alexander
(a
schoolboy of 14). There he paints both the father sleeping and then the
son in On his Holidays.
October: in Sicily
and Rome.
In December, he's back
in London.
He serves as chairman of a dinner given in honor of the artist Philip
Wilson Steer.
|
|