|
|
It's
difficult to narrow down Sargent's most Significant and Major
paintings, but
here
are a few:
 |
|
|
|
|
Sargent's
art is penetrating
. . .
Daughters
of Edward Darley Boit
1882
Natasha
Essay
Museum
of Fine Arts, Boston
Oil on
canvas
221.9
x 222.6 cm (87 3/8 x 87
5/8
in.)
Gift
of Mary Louisa Boit, Julia Overing Boit, Jane Hubbard Boit, and
Florance
D. Boit. In memory of their Father, Edward Darley Boit
(Caricature
of Sargent's painting)
Canvas
Transfer
Print
|
|
|
|
|
|
The
passion . .
.
El
Jaleo
1882
Natasha
Essay
Isabella
Stewart Gardner
Museum, Boston
Oil on canvas
237 x 352 cm
(93 3/8
x 138 1/2 in.)
(View
painting in museum and essay)
(A
Performer's View of Sargent's El Jaleo, by Nancy G. Heller.)
El
Jaleo -- Canvas Transfer
El
Jaleo -- Print
|
|
|
|
|
|
Scandalous
. . .
(considered by Sargent to be his best)
Madame
X
1884
Natasha
Essay
The
Metropolitan Museum
of Art, NY
Oil
on canvas
208.6
x 109.9 cm (82 1/8 x 43 1/4 in.)
(The
Road to Madame X)
(Picture
and Essay)
(Caricature
of Sargent's painting)
(Photo
of Painting at Salon)
(Nicole
Kidman's Madame X)
|
|
|
|
|
|
The
telling nature of
composition . . .
Robert
Louis Stevenson and His Wife
1885
Natasha
essay
Bournemouth,
August 1885
Private
collection
(Steve Wynn collection)
Oil on
canvas
52.1 x 62.2 cm ( 20 1/2 x 24 1/2 in.)
|
|
|
|
|
|
The Great
Master of light
. . .
Carnation
Lily, Lily Rose
1885-86
Natasha
essay
Tate
Gallery, London
Oil
on canvas
68 1/2
x 60 1/2 in.
(Essays
Wet-canvas)
(Caricature
of Sargent's painting)
|
|
|
|
|
|
The
influence of Monet
and the Impressionists
Claude
Monet Painting
1887
Natasha
Essay
Tate Gallery,
London
Oil on canvas
54 x 64.8 cm
(21 1/4 x 25
1/5 in.)
|
|
|
|
|
|
Sargent's
impressionism
. . .
Paul
Helleu Sketching
1889
Natasha
Essay
The Brooklyn
Museum, NY
Oil on canvas
26 1/8
x 32 1/8 in.
Museum
Collection Fund
|
|
|
|
|
|
The
portrait artist at
his best . . .
Lady
Agnew of Lochnaw
1892-93
Natasha
Essay
National
Gallery of Scotland
Oil
on canvas
127
x 101 cm (50 x 39 3/4 in.)
(photo
of Lady Agnew)
|
|
|
|
|
|
"The many
cannot miss his meaning, and only a few can find it . . ."
Triumph of
Religion
1895-1919
Natasha
Essay
Boston Public
Library
Sargent Hall murals
(Boston Public Library)
|
|
|
|
|
|
|
The
painter of the leading
figures of his time . . .
President
Theodore Roosevelt
1903
Natasha
Essay
The White
House, Washington, D.C.
Oil on canvas
58 1/2
x 40 1/2 in.
|
|
|
|
|
|
Brevity
and power in each
brush stroke . . .
Portrait
of Miss Eliza Wedgewood
c. 1905
Natasha
Private
collection
Watercolor and
Pencil on
Paper
53.5
x 36cm (21 x 14 in.)
Signed and "dedicated for
my friend Eliza"
|
|
|
|
|
|
in plein
air . . .
Breakfast
In The Loggia
1910
Natasha
Freer Gallery
of Art, Smithsonian
Institution, Washington, D.C.
Oil on
canvas
52.1 x 71.1 cm
(20 1/2
x 28 in.)
(Two
Studies in Light)
|
|
|
|
|
|
Bold!
Demanding! the gilded
age of beauty and society meets the horrors of war...
Gassed
1918-19
Natasha
Imperial
War Museum, London
Oil on canvas
231
x 611.1 cm (91 x 240 1/2
in.) |
|
|
|
| |
More:
Next Page
|
|
|
|
|
|
|
|
