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1900 thru 1901
Title
Cloud Study
1900-
Museums of San Francisco, CA
Watercolor
24.2 x 33.2 cm


Earl of Dalhousie (1878-1928)
1900  
Private collection
Oil on canvas
152.4 x 101.6 cm (60 x 40 in)


Design for Hawk Dress for Mrs. C.E. Hunter as Queen Phalema in "The Seraph"
1900
National Gallery of Art, Washington, D.C.
Same
Drawing
photo-mechanical reproduction


Hercules Brabazon Brabazon
1900
National Museums and
Galleries of Wales, Cardiff

Oil on canvas
56.5 x 40.6 cm
Acquired 1963; Bequest; Margaret Davies
Accession Number NMW A 179


Harley Granville-Barker (1877-1946)
1900
National Portrait Gallery, London
Chalk
61.6 x 47.6 cm (24 1/4  x 18 3/4 in.)
NPG 4178




Sir David Richmond
1900

Glasgow Art Gallery and Museum, Glasgow, Scotland
Oil on canvas  
243.8 x 134.6 cm (96 x 53 in.)
Inscription: (Lower left:) John S. Sargent signed





Sir David Richmond (2nd)
1900

Glasgow Art Gallery and Museum, Glasgow, Scotland
Oil on canvas  
147.3 x 96.5 cm (58 x 38 in.)
Inscription: (Upper left:) John S. Sargent signed



Portrait of Dorothy
1900 
Natasha
Dallas Museum of Art, Texas
Oil on canvas 
24 x 19 3/4 in.
Gift of Leland Fikes Foundation, Inc.


Elizabeth Garrett Anderson
1900

Private collection
Oil on canvas
83.8 x 66 cm (32.99 x 25.98 in.)




Charlotte Cram
1900

Private collection
Oil on canvas
88.5 x 61 cm (34 3/4 x 24 in.)
Inscribed: (Upper right:) John S. Sargent 
 



The Honourable Mrs. Charles Russell
1900
Private collection
Oil on canvas
104.8 x 73.7 cm (41 1/4 x 29 in.)
Inscription: (Lower left:) John S. Sargent 1900 signed

 

(Copy: Mrs. Charles Russel (in Madrid) with essay
(Are there more paintings of Mrs Charles Russell?)




Girl Reading
c. 1900
Manchester Art Gallery, UK
On paper
33.3 x 22.3 cm

Assession:1930.151

Sir Charles Loch
(1849 - 1923)
 
1901
National Gallery of Scotland, Edinburgh
Oil on canvas
87.10 x 64.70 cm
Accession no.PG 3181


Mrs. Cazalet and Children Edward and Victor
1900-1901
Natasha
Private collection
Oil on canvas 
254 x 165.1 cm (100 x 65 in)
Signed, upper left: John S. Sargent 


Sketch of Two Women, a Man and a Child
1900 ?
Museum of Fine Arts, Boston
Brown wash over graphite pencil
 image: 25.7 x 24.4 cm (10 1/8 x 9 5/8 in.) Sheet: 35.2 x 31.5 cm (13 7/8 x 12 3/8 in.)
Sargent Collection. Gift of Miss Emily Sargent and Mrs. Violet Ormond in memory of their brother John Singer Sargent 28.950


Sitwell Family 
1900 
Natasha
Sir Reresby Sitwell Bt.
Oil
170 X 193 cm


Venice, View from the Bacino
1900 
Private collection
Watercolor and pencil on paper 
24.9 x 35.6 cm (9.8 x 14 in)
Signed and dedicated lower right John S.Sargent 



Lady with Parasol
1900  
Abbey of Montserrat
Watercolor
53 x 40 cm
Inscribed


Ellen Peabody Endicott
1901
Natasha
National Gallery of Art,  Washington, D.C.
Oil on canvas
162.9 x 114.3 cm (64 1/8 x 45 in.)
Gift of Louise Thoron Endicott in memory of Mr. and Mrs. William Crowninshield Endicott, 1951.20.1


Edith French
c.1901

Private collection
Oil on canvas
24 x 18 in.
Inscribed ul JSS


Ena and Betty, Daughters of Asher and Mrs. Wertheimer
1901
Natasha
Tate Gallery, London
Same
Oil on canvas 
185.4 x 130.8 cm (73 x 51 1/2 in.)
Presented by the widow and family of Asher Wertheimer in accordance with his wishes 1922

(The Pragmatic Romanticist)
(The Wertheimer Family Portraits)



Alfred, Son of Asher Wertheimer Alfred, Son of Asher Wertheimer
1901
Natasha 
Tate Gallery, London
Oil on canvas
163 x 115 cm 
signed; Presented by the widow and family of Asher Wertheimer in accordance with his wishes 1922: N03709 


Hylda, Daughter of Asher and Mrs 
1901
Tate Gallery, London
Same
Oil on canvas 
214.6 x 143.5 cm 
painting signed
Presented by the widow and family of Asher Wertheimer in accordance with his wishes 1922 


Mrs. Edward Goetz
1901
Brigham Young University, Museum of Fine Arts, Provo, Utah
Oil on canvas  
57 1/2 x 41 1/2 in. (146 x 105.4 cm)
Inscription: (Upper left:) John S. Sargent signed
Acquired 2000



Dame Ethel Smyth
1901
Natasha
National Portrait Gallery, London 
Black chalk on paper
59.7 x 46 cm (23 1/2 x 18 1/8 in.)



Lady Meysey-Thompson
c. 1901

Private collection
Oil on canvas
160 x 100 cm (62.99 x 39.37 in.)



Egerton Leigh Winthrop
1901 
Knickerbocker Club, NY
Oil
63 1/4 x 42 1/4 in. 




John Ridgely Carter
1901

Private collection
Oil on canvas     
85.1 x 67.31 cm (33.5 x 26.5 in.)



Professor Ingram Bywater
exhibited 1901
Natasha
Tate Gallery, London
Oil on canvas 
147.3 x 97.2 cm
Bequeathed by Mrs. Ingram Bywater 1914   N03012 


George McCulloch
1901
Natasha
Boston Athenaeum, Massachusetts
Oil on canvas 
27.5 x 21.5 in. 
Gift of Peggy McCulloch Jacobsen, 1996.


On His Holidays
1901
Natasha
Lady Lever Art Gallery, Port Sunlight Village, England.
Oil on canvas
53 1/2 x 95 1/2 in.

(Essay and Pic) notes off site



A Torrent in Norway
1901 ??
Private collection
Oil on canvas
22 3/8 x 29 3/4 in


Rushing Water
c. 1901-1908
Metropolitan Museum of Art, New York
Watercolor, gouache, and graphite on white wove paper
35.6 x 25.3 cm (14 x 9 15/16 in.)
Gift of Mrs. Francis Ormond, 1950 (50.130.80e)


Stream and Rocks
c.  1901–8
Metropolitan Museum of Art, New York
Watercolor, gouache, and graphite on white wove paper
25.4 x 35.5 cm (10 x 14 in.)
Inscriptions: [on verso at upper left]: 186 Brook / by J.S.Sargent / E.S; [at center]: D /18; [at lower right]: 5209 [encircled]
Gift of Mrs. Francis Ormond, 1950 (50.130.71)


Girgenti
c. 1901
Private Collection
Watercolor on paper
31.11 x 46.36 cm (12.25 x 18.25 in.)


Duke of Portland
1901 
Owner?
Oil on Canvas
89 x 43.5 In.
Signed 

(Black and white image)

 
1900                       (44 years old)
Year In Context

February: he donates Autumn on the River to the South African Relief Fund for sale at auction at Christie’s London.

Claude Monet is in London and paints his House of Parliament series. Mary Hunter, (mother of The Misses Hunter) and Sargent play host during his stay.

May: at the Royal Academy he shows An Interior in Venice (1898), The Earl of Dalhousie and the Wyndham Sisters (1899).

Paris again holds another Exposition Universal. This time around, the U.S. State Department gets involved and mounts an ambitious display for the American section to demonstrate the country's growing importance in the world. For the arts, a very deliberate selection of painters are chosen to show the country's best:  William Merritt Chase, Thomas Eakins, George Inness, Henry Ward Range, Theodore Robinson, Augustus Saint-Gaudens, Winslow Homer, Louis Comfort Tiffany, James McNeill Whistler, and John Singer Sargent are among the prominent names.

Sargent sends Mrs. Carl Meyer and her Children (1896) and wins a Medal of Honor. As a whole, the Americans garner more awards than any other nation except the French and critics proclaim the American section to be the "Ecole Américaine."

Portrait commissions come pouring in for Sargent. He needs more space. In August he enlarges his studio by leasing the house next door (31 Tite Street), he knocks a passageway through the wall, and uses the new house as his main entrance.

(Tite Street Studio)

September: he travels to Switzerland and then Italy – Genoa, Milan, Bologna, and Florence. 

Max Beerbohm's caricature of Sargent appears in the Christmas Supplement of the British magazine The World.
 









1901                           (45 years old)
Year In Context

January, 22, Queen Victoria dies. John is in Fairford.

Sometimes in January - February, Claude Monet is back in London for an exhibition of nine of his paintings at the Hanover Gallery which was running a show on Impressionists, which included Monet. John attends the show with him.

May: he declines a commission to paint the coronation of King Edward VII. Feeling very uneasy about it, he writes: “The fact of my entire dependence on nature, both for likeness and qualities of painting, makes me particularly unfit for this high task.”  His friend Edwin Austin Abbey does the painting.

He exhibits the Crucifixion (1899) at the Royal Academy and he sends paintings to the Pan-American Exhibition, in Buffalo, New York.




August - September: he travels to Norway for salmon fishing with George McCulloch and his son Alexander (a schoolboy of 14). There he paints both the father sleeping and then the son in On his Holidays

October: in Sicily and Rome.


In December, he's back in London. He serves as chairman of a dinner given in honor of the artist Philip Wilson Steer.
 


 
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