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Madame
Paul Poirson
1885-86
Detroit
Institute of Arts
Oil on canvas
149.9 x 85 cm
(59 x 33 1/2
in.)
Founders
Society Purchase
with funds from Mr. and Mrs. Richard A. Manoogian, Beatrice W. Rogers
Bequest
Fund, Gibbs-Williams Fund, and Ralph Harman Booth Bequest Fund
Essay
and picture about two-thirds down
page.
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Mrs. Alice Mason
1885
Private collection
Oil on canvas
154.9 x 104.1 cm (61 x 41 in.)
Inscription: (Upper left:) John S. Sargent 1885
signed
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Judith
Gautier
1885
Detroit
Institute of Arts
Oil on
panel
99.1 x 62.2 cm.
Gift of Mr.
and Mrs. Ernest
Kanzler |
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Portrait
of Madame La Comtesse Jacques De Ganay (
Renee De Maille)
1885
Natasha
Private
colection
Oil on
canvas
Oval 28
¾ x 19 5/8
in
Signed and
dated upper left
John S.Sargent |
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Claude
Monet Painting
c.1885
Tate Gallery,
London
Oil on canvas
54 x 64.8 cm
(21 1/4
x 25 1/5 in.)
Presented by
Miss Emily
Sargent and Mrs Ormond through the National Art-Collections Fund 1925
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Mrs.
Edward Burckhardt and her Daughter Louise
1885
Private
collection
Oil on canvas
200.7 x 142.2
cm (79.0 x
56.0 in.) |
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Pointy
(portrait of Louise Burckhardt's dog)
1885
Private collection
Oil on panel
27.3 x 21.6 cm (10.7" x 8.5 in.)
inscribed “Pointy”; back of canvas inscribed “To
my friend Louise from John S. Sargent.” Mrs. Kenneth D. Robertson |
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My Dining Room
ca. 1883-86
Smith College Museum of Art, Northampton, Massachusetts
Oil on canvas
73.66 x 60.325 cm (29 x 23 3/4 in.)
Purchased with the gift of Mrs. Henry
Tomlinson Curtiss (Mina Kirstein, class of 1918) in memory of William
Allan Neilson
ACCESSION # SC 1968:10 |
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Home Fields
1885
Detroit
Institute of Arts
Oil on
canvas
73 x
96.5 cm (28 3/4
x 38 in.)
City of
Detroit Purchase
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Femme en Barque
also known as
By the River
1885
Private collection
Oil on canvas
51.44 x 69.85 cm (20.25 x 27.5 in.)
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At
Broadway
1885
Private
collection
Oil
18.5 x
24 in.
Signed |
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Girl
with a Sickle
1885
Private
collection
Oil on canvas
59.69 x
39.37 cm (23.5
x 15.5 in.) |
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Reapers
Resting in a Wheatfield
1885
The
Metropolitan Museum of Art, NY
Oil on
canvas
71.1 x 91.4 cm
(28 x 36
in.)
Gift of Mrs.
Francis Ormond,
1950 |
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The
Candelabrum
1885
Private
collection
Oil on
canvas
52.7 x
66.67 cm (20.75
x 26.25 in.) |
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Mrs.
Frederick Barnard
1885
Natasha
Tate Gallery,
London
Oil on
canvas
104.1 x 57.1 cm
Bequeathed by
Miss Dorothy
Barnard |
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Portrait
of Alfred Parsons
1885?
Natasha
Private
collection
Charcoal
17.5 x 23 in. |
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Mrs
Frank Millet
("Lily", nee Elizabeth Merrill)
1885-1886
Private
collection
Oil on canvas
87.3 x 67.3 cm
(34 3/8 x
26 1/2 in). |
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Whitby
- Fishing Boats
1885
Fine Arts
Museums of San
Francisco
Oil
47.0 x 66.0 cm
(18 ½
x 26)
inscribed: To
my friend
Mrs. Vickers John S. Sargent |
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Young
Girl Wearing a White Muslin Blouse
1885
Private
collection
Oil on
canvas
48.9 x 38.1 cm
(19.25 x
15 in.) |
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Sketchbook
("Carnation/ Lily") Robert Louis Stevenson
1880-1885
Sargent at
Harvard, Boston
Mostly
graphite and charcoal,
and some pen and brown ink, on off-white wove paper, bound in a beige
canvas
sketchbook
25.5 x 35 cm
(actual) |
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Robert
Louis Stevenson and His Wife
1885
Natasha
Essay
Bournemouth,
August 1885
Private
collection
(Steve Wynn collection)
Oil on
canvas
52.1 x 62.2 cm
(20 1/2
x 24 1/2 in.)
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Terra
Gosse
1885
Collection of
Dr. and Mrs.
John J. McDonough
Oil on canvas
63.5 x 48.3 cm
(25 x 19
in.) |
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Dorothy
Barnard
1885
Private collection
Oil on canvas
72.39 x 49.53 cm (28 1/2 x 19 1/2 in) |
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Study
of Barnard Children for Carnation, Lily, Lily, Rose (graphite)
1885-86
The Tate
Gallery, London
Pencil on paper
(Two
studies)
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Carnation,
Lily, Lily, Rose
1885-86
Natasha
essay
Tate
Gallery, London
Oil
on canvas
174
x 153.8 cm (68 1/2 x 60 1/2
in.)
Purchased
from the artist, 1887
(Essays
Wet-canvas)
(Caricature
of Sargent's painting)
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Self-Portrait
in Profile (graphite)
C.1885-90
Fogg Art
Museum, Boston
Graphite on
off-white wove
paper
21.2 cm. x
12.3 cm
Inscription:
l.l., graphite:
J. S. 301
Gift of Miss
Emily Sargent
and Mrs. Francis Ormond in memory of their brother, John Singer
Sargent,
1931.70 |
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Portrait
of Mrs. Robert Harrison
(née
Helen Smith)
1886
Natasha
Tate
Gallery,
London
Oil on canvas
157.8 x 80.3 cm
Bequeathed by
Miss P.J.M.
Harrison 2000; T07693 |
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Sir
Edmund Gosse
1886
Natasha
National
Portrait Gallery,
London
Oil on canvas
54.6 x 44.5 cm
(21 1/2
x 17 1/2 in.)
NPG 2205
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Millet's
Garden3
1886
Private
collection
Oil on canvas
68.6 x 86.4 cm
(27 x 35
in.) |
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The
Old Chair
1886
Collection of
the Ormond
Family
Oil on canvas
66 x 55.9 cm
(26 x 22 in.) |
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Roses
1886
Private
collection
Oil
Size? |
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Poppies
1886
Private
Collection
Oil on
canvas
24 3/8
x 35 7/8 in.
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In
the Orchard
c. 1886
Natasha
Private
collection
Oil on Canvas
61 x 73.7 cm
(24 x 29 in.) |
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Landscape
with Rose Trellis
1886
Private Collection
Oil on canvas
20.5 x 25 in. |
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Portrait
of Jacques-Emile Blanche
c. 1886
Natasha
Musée
des Beaux Arts
- Rouen (Normandy)
Oil on
canvas
81.9 x 48.9 cm
(32 1/4
x 19 1/4 in.)
Inscription u
l: à
mon ami Blanche
Inscription u
r: John S
Sargent |
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A
Gust of Wind
1886-87
Natasha
Private
collection
Oil on canvas
61.6 x 38.1 cm
(24.25 x
15 in) |
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Self
Portrait 1886
1886
Natasha
Aberdeen Art
Gallery and
Museums, UK
Oil on canvas
34.5 x 29.7 cm
signed and
dated:
John S. Sargent 1886 |
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Dr. FitzWilliam Sargent
1886
Sargent House Museum, Gloucester,
Massachusetts
Oil on canvas
36.8 x 34.3 cm (14 1/2 x 13 1/2
in.) |
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Mrs.
Cecil Wade
1886
Nelson
Atkins Museum of Art, KC
Oil on
canvas
167.6 x 137.8
cm (66 x 54 1/4
in.)
Gift of the
Enid and Crosby
Kemper Foundation |
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Mrs.
Douglas Dick
1886
Private
collection
Oil
63 x 36 in.
Signed and
dated |
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Brigadier
Archibald Campbell Douglas
1886
Private
collection
Oil on canvas
63 3/4
x 35 3/4 in. |
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A Rose Trellis (Roses at Oxfordshire)
c.1886
Private
Collection
Oil on canvas
27 x 17 in.
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1885
(29 years old)
Year
In Context
He starts the year
in Paris. He is
commissioned by his landlord and friend and patron, Paul Poison, to
paint
a portrait of his daughter, Suzanna and another of his wife in lieu of
rent. He paints a double portrait of Charlotte Louise Burchardt and her
mother.
In March he
probably visits his family
in Nice.
In May he exhibits The
Misses
Vickers (1884) and Mrs. Albert Vickers (1884) at the Salon
and Lady
Playfair at the Royal Academy, Mrs. Alice Mason at the
Grosvenor,
London.
He exhibits with
Monet and other
Impressionists at the Galerie Georges-Petit, Paris: Exposition
internationale
de peinture. Three portraits along with Le verre de Porto
are
shown -- he gets little notice.
June: Takes Vernon
Lee to the Salon
and to the Louvre (24th/25th).
Decides to move to
London and takes
a lease at 13
(later 33) Tite street, Chelsea, Whistler's old studio.Beyond Henry
James and other American artists living in England he knows few people.
He and Edwin Austin
Abbey in August
takes a boating trip on the Thames River where he gets the idea
for Carnation,
Lilly, Lilly, Rose. On the trip he injures his head in a
diving
accident and then gashes it open again. Abbey talks him into
convalescing
at Broadway,
between Worcestershire and London with a group of his art friends.
Other
artists in this little Broadway colony include Abbey, Francis Davis
Millet,
Edwin Blashfield, Alfred Parsons, Frederick Barnard, Edmund Gosse, and
Henry James.
See
Footnote 1
At this point
Sargent is still despondent
over the Madame X scandal. He has been painting mostly friends
since
then, new commissions have been few and was not received well at the
Impressionist
show. He tells Edmund Gosse he's thinking of leaving painting.
At Broadway he paints
his friends
there such as Mrs. Frederick Barnard, and begins Carnation,
Lilly, Lilly, Rose. Home Fields is probably at Broadway.
In October he
travels from Broadway
to Bournemouth to paint a portrait of Mr. and Mrs. Robert Louis
Stevenson.
By November he returns
to London
but tours southern England with Abbey and is back at Broadway and Frank
Millet's Farnham
House for Christmas.
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1886
(30 years old)
Year
In Context
January, he's in
London and paints
in his studios in Kensington and lives at Bailey's Hotel. During this
time
he paints Mrs. Robert Harrison.
When spring comes,
Sargent shows Mrs.
Albert Vickers (1884), The Misses Vickers (1884) and Robert
Harrison (n/a) at the Royal Academy, London. At the Grosvenor
Gallery,
London, he shows a portrait study; at the Society of American Artists,
New York, he shows Mrs. Wilton Phipps (n/a) and Mrs. John
W.
Field (n/a); and at the Paris Salon he shows Charlotte Louise
and
Mrs. Burckhardt (1885).
He decides not to
exhibit again with
the Impressionists at the Galeri Geoges-Petit, Paris.
By March he decides
where he's going
to make his professional fight and digs in his heels. He decides London
will be permanent home base, gives up his Paris boulevard Berthier
studio
to Giovannie
Boldini, and helps found the New
English Art Club, in London where he's elected to the selection
committee.
On June 26th he
arrives at Broadway
and stays with Abbey and the Millets at their new home: Russell
House. While there he paints scenes and studies from the
surrounding
area including Millet's Garden, Poppies, Roses, and possibly In
the Orchard and probably Edmund Gosse.
July, he is off to
Paris briefly
then on to Gossensass, Switzerland with his family.
In August he's in
Bayreuth for the
Wagner festival.
By autumn he's back
in England and
spends time between Broadway and London where he executes portrait
commissions. Mrs.
Cecil Wade is one of John's first major commissioned paintings
since
the Madame X showing and he finishes Carnation, Lilly,
Lilly,
Rose.
On October 28th,
Henry James introduces
Sargent to Isabella Stewart Gardner. She is an eccentric art collector
from Boston, who fell in love his painting El
Jaleo (1882) and had it hanging in her home in Boston.
Their
association would prove to be beneficial as she would later introduce
him
to countless clients in America. They would eventually become very good
friends.
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