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1896 thru 1897
Title
Gabriel Fauré (graphite)
1896
Sargent at Harvard
Graphite on off-white paper
25.3 x 18.4 cm (actual)
Bequest of Grenville L. Winthrop
Inscription: l.r., graphite: John S. Sargent/ 29 April 1896/ To Mrs. Maddison
Signature: l r., graphite: John S. Sargent

(see Painting of Gabriel Fauré)

 

Mrs. Walter Bacon
1896
The Bltmore House, Asheville, North Carolina
Oil on canvas
207.3 x 97.2 cm (81 5/8/ x 38 1/4/ in.)

Inscribed LR John S Sargent 1896


Mrs. Carl Meyer and her Children
1896
Natasha
Private collection
Oil on canvas 
201.4 134 cm (79 1/2 x 53 1/2 in.)

(Nicole Kidman's Mrs. Carl Meyer)


Portrait of Mrs. Colin Hunter
1896
Utah Museum of Fine Arts, Salt Lake City
Oil on canvas
94 x 62.2 cm (37 x 24 1/2 in.)
Inscribed: (Upper left:) to my friend Colin Hunter (Upper right:) John S. Sargent 1896
Purchased with funds from the Marriner
 S. Eccles Foundation, The Friends of the Art Museum,
Mrs. Nathan Porter, Emma Eccles Jones and
from the estate of Dolores Dore Eccles,
Accession Number: 1996.33.1



Mrs. Shakespeare
c. 1896 
Memorial Art Gallery of the University of Rochester, New York
Oil on canvas
74.61 x 62.23 cm (29 3/8 x 24 1/2 in.)

Inscribed: (Upper left:) to my friend Shakespeare (Upper right:) John S. Sargent signed
Marion Stratton Gould Fund,  57.14




Countess Laura Spinola Nunez del Castillo
1896
Private collection
Oil on Canvas
34.5 x 28.5 in.
 
Jean, Wife of Colonel Ian Hamilton 
1896
Natasha
Tate Gallery, London 
Oil on canvas
130.2 x 92.1 cm
Presented by Gen. Sir Ian Hamilton 1940; N05247


Joseph Chamberlain
("Joe")
1896

National Portrait Gallery, London
Oil on canvas
161.9 x 91.4 cm (63 3/4 x 36 in.)
Bequeathed by the sitter's widow, Mrs Mary Endicott Carnegie, 19571920-1922?

(Bio of Joseph Chamberlain)
(Sargent painted his wife Mrs. Chamberlain in 1902)



Portrait of Sir George Lewis
1896
Natasha
Private collection
Oil on canvas
80 x 59.6 cm (31.5 x 23.5  in.) 


Princess Demidoff
(Helene Petrovna Demidova, Princess of San Danto -- 1853-1917)
1895-1896 
Natasha
Toledo Museum of Art, Ohio
Oil on canvas 
66 x 38 in.


Countess Clary Aldringen 
(Therese Kinsky)
1896
Hirschl & Adler Galleries, New York
Oil on canvas  
228.5 x 122 cm (90 x 48 in)
Inscription: (Lower left:) John S. Sargent 1896 signed


The Honorable Laura Lister
1896
Fogg Art Museum, Cambridge, Massachusetts
Oil on canvas
168.91 cm x 115.25 cm, actual
Inscribed u.r.: John S. Sargent 1896 
Bequest of Grenville L. Winthrop, 1943.156


Colorful Pavements, Sicily
Date?
Natasha
Private collection
Watercolor
10 x 14 in. 

The Virgin
1897 or 1901
Museum of Fine Arts, Boston
Oil on canvas
66.67 x 46.04 cm (26 1/4 x 18 1/8 in.)
Bequest of Frederick S. Lamb 1998.250

Head of Christ
c 1897
Museum of Fine Arts, Boston
Oil on canvas
66.36 x 45.72 cm (26 1/8 x 18 in.)
Gift of Edward Jackson Holmes 25.521

(black and white image)


Meeting of Mary and Elisabeth after Luca della Robbia
Date? (possibly 1897)
Natasha
Fogg Art Museum, Cambridge, Massachusetts
Graphite on off-white wove paper
22.8 x 19.8 cm
Gift of Mrs. Francis Ormond
1937.8.158

(Luca della Robbia's Meeting of Mary and Elisabeth)


Study of a Wrought Iron Lectern
(verso: Sketches for the Crucifix, Boston Public Library)
1893-1916
Fogg Art Museum, Cambridge, Massachusetts
Graphite on off-white wove paper
25.2 cm. x 18.2 cm., actual
Gift of Mrs. Francis Ormond, 1937.8.170


Mr. and Mrs. I. N. Phelps Stokes
1897
Natasha
The Metropolitan Museum of Art, NY
Oil on canvas
214 x 101 cm ( 84 1/4 x 39 3/4 in.)
Bequest of Edit Minturn Phelps Stokes, 1938

Sketch of Mrs. Isaac Newton Phelps Stokes



Henry G. Marquand
1897
Natasha
Metropolitan Museum, New York
Oil on canvas
132.1 x 106 cm (52 x 41 3/4 in.)
Gift of Trustees, 1897
97.43


Mrs. George Swinton
(nee Elizabeth "'Elsie" Ebsworth)
1897

Natasha
Art Institute of Chicago
Oil on canvas
228.6 x 124.5 cm (90 x 49 in.)
Wirt D. Walker Collection

(Nicole Kidman's Mrs. George Swinton)



William Rothenstein
1897
Natasha
The Australian National University, Canberra
Lithograph
Size?

(British lithographer)


Emma (Margot), Countess of Oxford and Asquith
1897
National Portrait Gallery, London 
Chalk
54.9 x 39.7 cm (21 5/8  x 15 5/8 in.)


Catherine Vlasto
1897
Hirshhorn Museum and Scupture Garden, Smithsonian Institution, Washington D.C.
Oil on canvas
148.6 x 85.4 cm (58 1/2 x 33 5/8 in.)
Gift of Joseph H. Hirshhorn, 1972
Accession Number: 72.256


Mrs George Batten Singing
c. 1897 
Glasgow Museums: Art Gallery and Museum, Kelvingrove
Oil on Canvas
88.9 X 43.2 cm.
Signed and Inscribed across upper edge: To Mrs. Batten John S. Sargent 


Professor Johannes Wolff
1897
Fogg Art Museum, Cambridge, Massachusetts
Oil on canvas
30 x 25 1/4 in (actual)
Framed 39 1/2 x 34 1/2 x 3 1/4 in
Bequest of Grenville L. Winthrop
Inscription: Inscription across top: a mon ami Johannes Wolff.  Signature: u.r.: John S. Sargent


Loch Moidart, Invernesshire
1897
Private collection
Watercolor & pencil on paper
25.4 x 35.60 cm (10 x 14 in.)
Markings:  Signed
 
1896                  (40 years old)
Year In Context

JSS was great admirer of music, and was a close friend of the French composer Gabriel Faur (1845-1924). In fact,  Sargent is an outstanding amateur musician himself and played the piano since he was a child. He played often when he painted and played for friends. As a boy, his music teacher had been distraught when Sargent quit to study painting -- he had shown an ability for playing that was unusual and thought he would make a concert pianist. 

(Sargent's Musical Talents)

In October he paints Mrs. Carl Meyer and her Children.

He paints the portrait of the British statesman Joseph Chamberlain [p]

He stays in London and doesn't take any trips.

 



 

 
 

1897                           (41 years old)
Year In Context

From January through February he travels for mural inspiration to Sicily to see the Cathedral in Palermo, Florence and then to Rome to see the Boegia Apartments in the Vatican decorated by Pinuricchio “there he found the vital precedent he needed to smooth the eccentric marriage of iconography he was himself performing across the walls and ceiling in Boston(Olson, p.216)


In the spring he exhibits Mrs. Carl Meyer and Her Children [p] at the Royal Academy along with The Honorable Laura Lister [p]  to quite a bit of applause.

He is elected full member to both the Royal Academy, London, and the National Academy of Design, New York. For his two diploma paintings he submits Professor Johannes Wolff   and Portrait of Claude Monet [p] to the RA and the NA of D respectfully.

April he visits Scotland with the Playfairs. 

He begins teaching at the Royal Academy School, London and would do so for three years.

He is made an officer of the French Legion d'Honneur.
 




 

 
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